PRESS
After gaining experience as "Dance Captain" and creating several smaller choreographies of their own, these two free spirits - who seem to complement each other perfectly in their creative work - are now bringing a purely non-verbal dance production to the grand revolving stage of the
Festspielhaus for the first time. In their Four Seasons adaptation, the seasons themselves fall into conflict, no longer agreeing on the order in which they should appear. Perhaps this also reflects an ironic take on nature and its increasingly erratic climate patterns?
(Allgäuer Zeitung)
Anna Martens and Alina Groder from the Munich region explored in "meine moms sagen immer..." the discrepancy between how women are perceived and what they actually contribute to society. They began their dance connected by a literal red thread, revealing dependencies and manipulations, before freeing themselves into a duet danced with seemingly effortless grace. This was partly contrasted by spoken text sequences that raised questions about issues affecting women.
(Raw and Polished, Tanzzentrale Nürnberg)
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Anna Martens' choreography of the Mozartkugeln (Mozart chocolates) is undoubtedly a highlight of the evening.
(Musicalzeitschrift)
A feast for the eyes - the musical is constantly in motion..
(Münchner Merkur)
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